No. 130

触っていないつもりでも触れてしまうものもある

By : Kazuki Samata

Entrant’s location : 日本

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Description

This work published in 2019. Based on the theme of contact, the change in judgment ability due to the difference in the sense of action between real space and digital space is expressed. This work is divided into three. First, there are two monitors, and one of them is an image that repeatedly paints and deletes trees, and adds and removes graphics on the screen of the Illustrator app. The other is. Reproducing Illustrator app Video in real space. Using paint and paper. Second, The stamp is moved up and down by the motor. and comes and goes out of the foam beads. Looking down, the paper is stamped seals with hundreds. Third, It is an image created with the motif of a dart with a large hole in it. The contents are those that break the balloon with that dart. A dart is placed on the cake in front of the child, and an arrow sticks into the cake. and Break the completed domino. When you get used to drawing in an environment where you can start over like illustrators, you often draw rough lines from the beginning when drawing on paper. In this way, one digital-specific function eliminates the difference in sensation from the real space like a hand vicious and fluctuates human movement. I think this is a threat. In this work, it expresses the characteristics of people whose judgment ability fluctuates because they are objects that are not actually seen in front of them. At the same time, because of their background, it is a metaphor for the situation where they have been doing things that they should not do. In our structure, it is possible that it is impossible to imagine that the exchanges that take place in the digital space will erode to the target real space. I would like you to think about how to deal with this sense of misalignment.

What did you create?

Based on the theme of contact, the change in judgment ability due to the difference in the sense of action between real space and digital space is expressed.We are relying on the functions programmed in the digital space as if they are part of the brain.In our structure, it is possible that it is impossible to imagine that the exchanges that take place in the digital space will erode to the target real space.

Why did you make it?

When you get used to drawing in an environment where you can start over like illustrators, you often draw rough lines from the beginning when drawing on paper.In this way, one digital-specific function eliminates the difference in sensation from the real space like a hand vicious and fluctuates human movement. I think this is a threat.What kind of background has caused the trouble in the Internet space that is regarded as a modern problem?I would like to see this work as an opportunity to think.

How did you make it?

Servo motors were used to move up and down.The video was taken according to the scenario I made. The artist myself is shown. Editing uses premiere pro software.

Your entry’s specification

Material:Monitor, driftwood, foam beads, acrylic board, Japanese paper, balloons, etc.Area: 5000mm W × 4000mmD × 3000mmH

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